We are proud to be members of the consortium implementing the Cultural Relations Platform (CRP) - an EU-funded project launched in April 2020, designed to support the European Union to engage in international cultural relations.
Read MoreRethinking European Cultural Policy after the Coronavirus crisis
As a part of a series of essays, the Kulturpolitische Gesellschaft (KuPoGe) asked selected individuals to contribute. Our head of Public Policy, Isabelle Schwarz contributed with an essay on a new approach to the design of European cultural policy.
Read MoreBring Back Culture, Ms. President!
On September 23rd members from across the political spectrum of the European Parliament, including the Chair of the Culture Committee, Ms Sabine Verheyen, and over hundred representatives of arts, cultural and heritage organisations and networks from across Europe gathered at BOZAR in Brussels, to debate the place of arts, culture and cultural heritage in remit of the future European Commission.
Read MoreCPRA 2013: Governing Heritage Dissonance by Višnja Kisic
ECF is delighted to announce the publication of Governing Heritage Dissonance: Promises and Realities of Selected Cultural Policies – a pioneering study by Višnja Kisić, winner of the 2013 Cultural Policy Research Award (CPRA).
Read MoreFour reports of the Eastern European Reflection Group
The European Cultural Foundation and The German Marshall Fund of the United States underwent a process of cooperation with the aim of supporting the capacity of cultural actors to be effective agents of change in Belarus, Moldova and Ukraine. You can read all the reports resulting from this partnership.
Read MoreFunding Opportunities for International Cultural Cooperation in and with South East Europe.
A survey carried out by the ECUMEST Association in partnership with Relais Culture Europe, October 2005, Download
The Creative Sector - An Engine for Diversity, Growth and Jobs in Europe.
This publication (PDF) is an overview of research findings and debates prepared for the ECF, by Andreas Wiesand, in co-operation with Michael Söndermann, 2005.